Silas, Final Version

This is the final version of Silas. I reworked it to fit the the square format for a group project that my fellow art teachers and I are putting together for the Averill Park Educational Foundation. I think the square format is much better than the original.

Tentatively Titled: The Dragon Slayer's Daughter

Here are two slightly different compositions for a project that I recently set aside just before going to final art. I still plan on finishing it, but for now it will exist as a sketch.

Silas, The Root Man

Silas, Digitally Colored Drawing

Cheer Up Scarecrow

Here's some work that can be seen in the current October issue of Highlights High Five magazine.
I really put the scanner to work with these illustrations. For the backgrounds I created a variety of stains and washes using brown ink, scanned them, and then experimented with a lot of different color variations in Photoshop. I thought this would create a great autumnal effect that would be fairly simple to pull off... I spent hours (too many hours) trying to get something that looked good but didn't compete with the character illustrations. As always, less is more.

Enjoy

Tall Water Falls, in progress

In Progress Screen Shot: Digital Coloring


Shading Stage: Digital


Original Graphite Drawing, 8.5" x 17"


I've been working on this one for over a year. It keeps getting pushed aside due to other obligations or other (paying) projects but I keep at it with stolen chunks of time...30 minutes here or 2 hrs there (seems like a lot of my favorite pieces are finished this way).
I love these characters and have big dreams for these little guys. They're a great blend of some of my favorite childhood influences (The Gummi Bears the Saturday morning cartoon series, Winnie the Pooh illustrations and animations) and some of my grown-up observations about how our individual quirks effect our childhood and family experiences.

I've included some shots of different stages of my digital coloring process:
The original drawing was intentionally rendered lighter. I've found that the contrast gradually increases as I work on my illustrations and the lighter I can keep the drawing in the beginning, the less I have to beck peddle while I work on it digitally.

The shading stage is the first step after scanning the drawing. It's done by creating two layers; the first, is a duplicate of the original drawing and the second, which is a darker version of the original. I 'll use a soft eraser tool with a 15% to 30% opacity and erase sections (shadows) of the top, lighter layer and expose the darker layer below it.

The coloring stage works much like the shading stage except I'll change the color of the bottom layer instead of the value. I then merge the layers and repeat the process over and over again until everything is roughly the color I want it to be.

As I 'm erasing I will create silhouettes of the various erased sections and save them as separate layers. I'll use these layers later on in the process to create selections that will allow me to tweak specific areas until I have the color and value that are appropriate for the final art.

Some effects, such as highlights or reflective light are done as direct digital paintings and simply sit over top of the colored drawing layer.

Latest Character Study for Snow Days Project

I like how this characters guarded nature comes through in the sketch. However, now that I look at them together, in the digitally colored version her expression seems a bit too suspicious. In addition, the wisps of hair at her ears are too dense... perhaps I'll go back into this one later on.




That's better... updated version Sept 28th.

No Secret

This was published by Highlights back in March. I was very happy with the lighting and color in this one but was a bit disappointed with the published version...everything yellowed. Take a look and enjoy.